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・ Charles Edward Bruce
・ Charles Edward Callwell
・ Charles Edward Cawley
・ Charles Edward Chapel
・ Charles Edward Choate
・ Charles Edward Church
・ Charles Edward Clark
・ Charles Edward Coffin
・ Charles Edward Davis
・ Charles Edward Eaton
・ Charles Edward Emery
・ Charles Edward Faxon
・ Charles Edward Flower
・ Charles Edward Garman
・ Charles Edward Grey
Charles Edward Hallé
・ Charles Edward Hamilton
・ Charles Edward Hanna
・ Charles Edward Haughton
・ Charles Edward Hawkins
・ Charles Edward Herbert
・ Charles Edward Horn
・ Charles Edward Horsley
・ Charles Edward Hovey
・ Charles Edward Hubbard
・ Charles Edward Hudson
・ Charles Edward Hunt
・ Charles Edward Jefferson
・ Charles Edward Jennings de Kilmaine
・ Charles Edward Johnston


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Charles Edward Hallé : ウィキペディア英語版
Charles Edward Hallé

Charles Edward Hallé (1846–1914), sometimes given as Edward Charles Hallé, was an English painter and gallery manager.
He was a painter of history scenes, genre scenes, and portraits. He was the son of Sir Charles Halle, the German-born pianist and orchestra conductor, who emigrated to England during the revolution of 1848. His first professors were Richard Doyle and the Carlo Marochetti when he entered the School of the Royal Academy in London. At seventeen years of age he traveled to France and worked with Victor Mottez, a student of Ingres. From France he traveled to Italy. He was attracted to the tradition of Neo-Classicism found in Rome.
Upon his return to London he exhibited four paintings at the Royal Academy in London in 1866, and then departed for Venice. He studied the techniques of the Venetian Masters and tried to paint in their style. He then returned to England and settled permanently in London. In 1877 with J. Comyns Carr, he assisted Lord Coutts Lindsay in the creation of the Grosvenor Gallery. In 1888 with Burne-Jones, he founded the New Gallery in Regent Street. He exhibited frequently in these two galleries. His works have been displayed in the museum in Sheffield.
==Pre-Raphaelites==
Despite having been born only two years prior to the founding the Pre-Raphaelite Brotherhood, stylistically Hallé was firmly aligned with the aesthetic of that group.
Charles Halle is mentioned very fondly by Isador Duncan in her book titled "My Life' published in 1927, the year of her death. She describes the activities she and Charles enjoyed together in Paris, long strolls, trips to the countryside, gallery tramping and dining. She said, "I danced for him in the forest and he made sketches of me." (see ''Americans in Paris: A Literary Anthology'', 2004, ISBN 1-931082-56-1 by Adam Gopnik, editor).

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